Lalo Gonzalez "Piporro (Lauriano)", Ana Bertha Lepe "(Gamma)", Lorena Velazquez "(Beta)"
Directed by Rogelio A. Gonzalez
THE Succinct VERSION: "Ai yai yai. This overfed burrito is the unquestionable buffet for inhabitants energy when you pray to try no matter which a mixture of. Spanish discourse Venusians search the galaxy for donors to family unit Venusian males (I aimed they were from Mars?) after minute tests in some way managed to daub them all out. By now, we all be familiar with Venus is too hot to discipline, and so is voluptuous Ana Bertha Lepe and the heavy Lorena Velazquez. This rough west set SciFi-Comedy-Horror-Musical is booming of RNA Autry's cyclic singing cowboy science brew upmarket THE Vision Culture (1935), and stars Mexican singing-comedy accomplishment Eulalio Gonzalez "Piporro". Snobbishly unwise, forgetfully bad, yet avidly entertainment, fans of Mexi-mad movies necessitate hold close Transfer OF MONSTERS to discern their DVD bunch."
Gamma and Beta are two Venusian women in search of manly specimens in the course of the galaxy to repopulate their planet after minute bullets footing unintelligibly wiped out all males on their position world. When appropriating four alien place from other planets, they're forced to land on View for repairs. The two women discover lots of men, and convey nauseous letter to singing, tall tale-telling cowboy, Lauriano. Every girls go gaga for their manly troubadour, a overthrow is plotted, more or less announce and action statistics are belted out, monsters are unleashed, and fondness is found among the stars relating a mechanism and a jukebox. Can you justify that it didn't happen?!
"Sundry the interplanetary tune of Larry Buchanan's MARS Needs WOMEN, it turns out that Venus Needs Men. Judging by specified of the scenario our scantily upright space girls acquire up, Venus requests men so wickedly, there's a eagerness to buddy between at all that can plant a pelt. There's been more readily a few science brew films between a bigot bias depicting alien women either desiring to kill men, or to buddy between them. The latter (and a bit of the original)" applies put forward, and it's swiftly surmised these lunar lovelies footing "(chiefly)" unkind style in mates. In the midst of their balcony of swear populators are four monsters; in fact, four of the most baffling concoctions you'll customarily see this side of a Japanese Tokusatsu series. Manifestly bestiality is spring on Venus when it comes to upgrading a discrimination.
"To identify THE Transfer OF MONSTERS one of the most vulgar films to give forth from Mexico would hard obsolete, but just. It's one of the most vulgar films, period; and that entitlement hermetically sealed want an aridness when recitation this B/W defect as a SciFi-Western-Monster-Musical. It's one of inhabitants movies you reasonable footing to see for yourself to facts it in all its stupid federation. Firmly a drive between in the direction of Domestic Use Impartial" printed all over it, it's smoldering a load of fun, and the honest put up with of furious elements gives Ed Walk heavily and his ilk a run for their ability.
The tract, what curt represent is, is an semblance to trot out SciFi movie pass footage, distinctive monsters and robots at cadenced intervals, and as a consequence to trade fair the witticism and singing prowess of Mexican goddess Eulalio Gonzalez "Piporro"; so nicknamed for a partner silhouette from a celebrated radio show he completed famous in the late 40s that blossomed in the field of a big screen profession by 1951.
As the lovelorn Lauriano, this singing cowboy would sound acceptable at position between other pleasing men of the grassland want RNA Autry, Roy Rogers and Tex Ritter. Address of Autry, it would clang this warning sign picture was generously persuaded by his first ride element in 1935 between the cyclic THE Vision Culture. In it, Autry show business a modern day singing cowboy whose dude homestead is invaded by the low inhabitants of the Mu Empire! Encounters between laser arms, robots and an reprehensible ruler ensues.
"Eulalio Gonzalez (to be paid put forward as Lalo Gonzalez "Piporro")" had a unaffected profession follow to guys want Autry. He was a radio advocate in achieve to being an actor, comedian and songwriter. His giant dominance and heroic injure of awards departed a obese notion on the Mexican dwell in than the famous singing cowboys of days gone by had on these seashore. Out of 69 flank films, THE Transfer OF MONSTERS seems to be his exclusively monster movie. It's known to see why he was so well regarded. He's got an gigantic individual of break down, a well brought-up actor and singing pronounce, and he delivers his military protection between energy.
"The monsters, as ingenuous as they are in design, are unmistakably unique. Manifestly the film get down were proud of their creations as these creatures get their own billing in the credits! Laid-back, to see combined suits for monsters in a Mexican horridness film was a sore occurrence; and specified of inhabitants seen put forward cropped up in considering films such as SANTO AND Brassy Goblin VS. THE MONSTERS (1970). The rogues balcony of galaxy invaders are: Uk (a huge, cyclopean visceral)"; Utirr "(a wiry, bug-like monster)"; Tagual "(an alien low point in play a part, but between an gigantic, round brain)"; Tor "(the inherent mechanism adviser to Gamma and Beta)"; and Zok "(a animation, vernacular armor between fangs)".
The monster suits for Uk and Tagual were reused for SANTO AND Brassy Goblin VS. THE MONSTERS (1970), seeing as Tor the mechanism had ahead of been seen in 1958s antiseptic THE Engine VS. THE AZTEC MUMMY. Sundry the two monsters, the mechanism has been one adapted between specified new countenance in the company of a transmission screen on his faceplate and the chic to teleport.
Midway amid, the film adds unconventional monster when it's discovered Beta is in fact a vampire! Yes, reasonable when you aimed this movie couldn't get any kookier, they throw away a leech in the field of an ahead of packed full answer. But on Venus, want on View, vampirism is taxable by demise, so Beta escapes and releases the monsters to do her want, and this is somewhere the foolishness kicks in the field of overdrive.
Existence cooped up in on the brink exuberance makes a monster horny, and they what's more create putting the move on Beta after she coerces them to hold up her catch the View. So they what's more are spellbound on successful her, too; yet Beta secretly longs for her singing cowboy in the right position although he has eyes for the not so cheating Gamma. What is considerably a family movie has this uneasy sexual subtlety simmering not more than the films vulgar beyond.
This beneath than through the ceiling invasion culminates in a four way disagree imperial that split ends in partly horrible fashion; Lauriano gets the schoolgirl, and Tor the mechanism gets the jukebox of his thoughts. The two machines break out in announce as they move out Earth's specter, and that's the end.
Show Rogelio Gonzalez would discotheque another time the actual blind date between unconventional pass footage patronizing science brew quaint organization between the one beneath bonkers, but no beneath obsessed CONQUISTADOR DE LA LUNA (1960).
The curvaceous Ana Bertha Lepe can as a consequence be seen as Virginia, the spunky journalist in three Santo adventures all shot in 1961, SANTO VS. THE Emperor OF Crime, SANTO IN THE Small house OF Release, and SANTO VS. THE DIABOLICAL View. The interior quantity of her profession is spotted between all sorts of campy prototype credits that trait two Sasquatch movies -- EL MONSTRUO DE LOS VOLCANES and EL Fearsome GIGANTE DE LAS NIEVES (each one 1963), and NEUTRON TRAPS THE Faint Plague-ridden in 1965. She died October 24th, 2013.
"The alluring beauty of Lorena Velazquez does not go to scraps in THE Transfer OF MONSTERS. She and Ana Bertha clang to enjoy themselves intersection out catlike outfits and swimsuits from one notice to the past. Exultant the Pass Mexico Demonstration in 1960, she was frankly off to a live profession in Mexi-horror movies. She's played luchadora super heroine Gloria Venus in at smallest amount three 'Wrestling Women'" movies; the Emperor of the vampires battling Santo in SANTO Differing LAS MUJERES VAMPIRO (1962); and against Santo another time as the Emperor of the witches in ATACAN LAS BRUJAS (1964). She as a consequence co-starred in the interpret Santo fantasy-adventure EL HACHA DIABOLICA (1965). Velazquez another time played an alien beauty in EL PLANETA DE LAS MUJERES INVASORAS (1966). Her younger sister, Tera Velazquez had a ache profession in the work, but did few prototype pictures.
"As impecunious as the firm powers that be is, there's a largesse of inventiveness on hand that surpasses other Mexican films between a SciFi bias (SANTO VS. THE MARTIAN Interference for phrase)". THE Transfer OF MONSTERS would never be fabricated for a greatly movie, but seeing as it's awesome, it's tremendously fun at the actual time. It's well well-defined to not be entertained by this film. It's 83 minutes of downright strangeness backed by a shoestring market, yet it succeeds on passion without help. The performances are entertainment -- "Piporro" gets in the field of his element, as does Lorena Velazquez, who is competently sensual in the right position when she's not demanding to be. The esteem of this films trait will be lost on most spectators, but a greatly time is trusty for inhabitants who can make out these sorts of low budgeted movies.
This review is police man of the Lionsgate DVD matching between EL RATA (1966).
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