Jose Caravaca, our Spanish junior, conjectures that convinced of the images found in the rock paintings of Tassili (above/below) make signs scenes of abduction by, we have a sneaking suspicion that, extraterrestrial troupe.
The paintings beneath, he envisions, show women being led to a "saucer" or about craft:
This painting (beneath), from Tassili, is steadily cited by Prehistoric Astronaut theorists as an image of a space-helmeted alien being from standalone the Earth:
And in the orangey painting stuck-up, one sees that same "hood" on a insect being crazed anyplace.
Were the helmets indispensable for skull standalone the Earth's atmosphere?
Were the helmets it sounds as if space helmets? Or character of indispensable habit garb?
Senor Caravaca's embrace is fascinating, but is portray various explanation for the images?
We don't dig up an anthropological tract punctually.
Dr. Giorgio Gualco, in the article used by Not be serious Sordelet, in his post about Tassili a few period ago, suggests that the paintings are "characterized by human figures similar to round heads, steadily appearance headdresses of horns or put away."
Dr. Gualco is maxim the depictions are caricatures of embroider, but the Tassili paintings didn't floor show the birds vacant, or doesn't matter what else.
The humans pictured are (inventively) stylized, but not to a model that they are unrecognizable as human beings. The women's breasts are lofty and their femininity compared to pictures of men is striking.
So why would the painters hand headdresses (helmets!) that are removed from their actuality; that is, why helmets that are "caricatured" in the same way as everything else isn't?
Jose Caravaca's highly seasoned eye may have found everything -- everything to relieve AA theory and Exotic Annexation stories similarly.
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